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IFFBoston 2018 Recap

NYPD officers are covered in confetti at a police academy graduation in the documentary Crime + Punishment, which played at IFFBoston 2018.

I covered Independent Film Festival Boston (IFFBoston) 2018 for The Independent, watching nine different films across one week (April 29 – May 2, 2018). I wrote reviews of my favorite films from the festival in a single piece, which I’m linking to below. My reviews include Bo Burnham’s Eighth Grade, Stephen Maing’s Crime + Punishment, Debra Granik’s Leave No Trace, Andrew Austin, Adam Ward, and Paula Kosowski’s The Power of Glove, Denali Tiller’s Tre Maison Dasan, and Morgan Neville’s Won’t You Be My Neighbor?.

To give you a taste of my coverage here’s my review of Eighth Grade, the festival’s opening night film.

Eighth Grade; Bo Burnham; USA, 2018; 94 min

Eighth Grade—comedian Bo Burnham’s big screen directorial debut—isn’t the kind of first film one would expect from him. Instead of sticking to comedy, Burnham branches out with a coming-of-age drama that chronicles a shy teen’s final weeks of eighth grade. That doesn’t mean Burnham’s film is laugh free however; his picture is punctuated with comedic moments that are humorous for their awkwardness without turning mean-spirited.

Burnham authentically captures the experience of growing up in the Snapchat age by casting an actual eighth grader, Elsie Fisher, as his lead Kayla. Thanks to Fisher the film rings true, because the narrative never feels like an adult attempting to retrofit their sensibilities into a teenager. The authenticity of Burnham’s story isn’t just limited to present day though—his movie speaks to men and women of all ages, since he effectively recreates the highs and lows of middle school everyone goes through at that age, from self-doubt to clumsiness talking to crushes, to the desire to be seen and heard by one’s classmates.

Eighth Grade’s narrative excels by eschewing teen film clichés about bullying in favor of deeper moments that emphasize Kayla’s internal struggles. Burnham adeptly explores those conflicts through advice videos Kayla posts for her “followers” on YouTube that mirror her life. The proceedings are lent additional gravitas from the film’s pulsating electronic music, which strikes the balance between mood-setting and intrusive. Finally, the last keys to its success are its performances by Elsie Fisher and Josh Hamilton, who plays Kayla’s father. Fisher embodies Kayla’s shy, awkwardness with great ease, while Hamilton is touching as a dorky single dad trying his best not to be intrusive. Hamilton’s moving, confidence-boosting speech to Kayla in her time of need is one of the sweetest father-daughter interactions committed to film, a scene destined to open up the waterworks if they haven’t already been activated by the movie’s many affecting moments.

Read the rest of my reviews at The Independent.

Evan Crean: Hello! My name is Evan Crean. By day I work for a marketing agency, but by night, I’m a film critic based in Boston, MA. Since 2009, I have written hundreds of movie reviews and celebrity interviews for Starpulse.com. I have also contributed pieces to NewEnglandFilm.com and to The Independent, as a writer and editor. I maintain an active Letterboxd account too. In addition to publishing short form work, I am a co-author of the book Your ’80s Movie Guide to Better Living, which is available on CreateSpace and Amazon. The book is the first in a series of lighthearted self-help books for film fans, which distills advice from ’80s movies on how to tackle many of life’s challenges. On top of writing, I co-host and edit the weekly film podcast Spoilerpiece Theatre with two other Boston film critics. I’m a founding member and the current treasurer for the Boston Online Film Critics Association as well. This site, Reel Recon.com, is a one-stop-shop where you can find links to all of my past and present work. Have any questions or comments after checking it out? Please feel free to email me (Evan Crean) at: ecrean AT reelrecon DOT COM .
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